The phantom remix tournament.

[Shionne Imeris]

1. Yeah imho better than any previously posted stuff yet, i like traditional songs or when song has that "traditional vibes" (kinda reminds me of A.SAKA creations but they are usually more electronic with traditional addons) this one isn't really too calm for my preferences and is easily something i would listen to exactly in game it's also fairly long so

8/10


2. another orchestral woo, honestly i'm starting to get used to it a little it's one of my favourite themes from EoSD however it's not really better than Toyo Medley hence why it gets a bit lower rating but it's still pretty decent work

i would give 6.5/10 but i don't want to use decimals so i need to give 6/10


3. a bit too calm for me but well, at least theme is one that i could easily put in top 10-15 i also quite like animation it also gets a bit repetitive over time but i guess that's just me (not like usually trance which i love doesn't but i still don't care so much about it)

that's mostly for animation and theme 7/10

 

[Drunken_Flower]

im hungry

1: i expected more erhu in it, this more like a traditional instrumetal
i dunno what to say about this one, i played for like 2 hours to make a comment but i dunno.
lemme change to commentary mode:
pretty strong opening for such kalm song. i imagine this for like a start of introduction festival or something
I adore the atmospheric feeling at 0:40, at 1:00 (why so perfect timestamp?) the koto came back, sound more like a harp.. konghou? hmm ?...whatever, it great at increasing the oriental feeling. feels like under the moonlight, deep in (bamboo) forest, lost, waiting for something big.

1:20 (i told ya it's perfect timestamped) the erhu came in kinda strong, quite high octave and smooth for an erhu, almost mistaken for a flute for first 2 seconds, 1:30 ey that's flute. This part, it feels like journey, sadness, nostalgia, resolution.

2:00 this very calm, like fleeting in eternity, peace, delightful end
2:45 repeat
10/10
feels like you are welcomed to hourai mountain, the paradise one, somethin like heaven but oriental.
probably gonna listen to this again for like 1000 or more

2: WHO PUT THIS HERE, WHO!!?????
i can already hear by only lookin at the thumbnail
Crimson Belvedere is one of the two ost that i listen a lot from EoSD
*cough* so yeah, this kinda like the previous but more festive i guess
-100 for rarity >>:C, i have like over 400 plays for this one
10/10 music
but! because i already play it a lot.. 
9/10

3: There's lot goin on here
the transitions a bit smmrough but.. eh? it smooth but feels aint connect
3:52 really chaotic smh
4:35 oh it slowing down, ye this more like it
i kinda like this(?) but considering the previous two.. hmm...nono, the previous shoulda be around 12/10
6/10
OH! there's texts at 5:18, OH! 6:02

yes holyshit that was hard round

FYI im hella into oriental stuff even in architecture, storyteling, art, music, fashion (kimono great but.. im more to chinese attires ( ͡° ͜ʖ ͡°) ), etc...
so Erhu, Bon Odori, Taiko and somethin like that is awuKDdjwKAkdblv8)Bc7Fkq^uKWJH

 

[Ken Hisuag]

4: Path Through the Bamboo Forest
I thought it was a haegeum, but apparently not. Does anyone know what the difference is, aside from nation of origin?

The Touhou Project doesn't take itself very seriously, as evidenced by the handling of its stories and characters. Viewed through the eyes of Reimu or Marisa, the most common playables, the events of any given story are often filtered as far less serious than they could be. This is part of Touhou's charm.
This arrangement is a glimpse into a different kind of Touhou. If the world was more of a representation of Japanese culture, if folklore-inspired characters were more true to legend, if the world was more serious . . . I imagine this is what Touhou would sound like.

Is that a bit much? I don't want to just say "it's beautiful," and not have communicated anything, but what I've written seems a bit ridiculous vague even to me. Retribution for Eternal Night is one of the more powerful pieces as a summation of Touhou, due to the central part the familiar Theme of Eastern Story plays to it; I've had similar thoughts concerning Akiyama's Pipes and Fiddle arrangement. Putting it to traditional Japanese style is ingenious, and this arrangement completely accomplishes that style. I also couldn't help but compare it to Okami, and I can't imagine it being any better.

Surprisingly, I think this one is another 10/10.
I really ought to play Scarlet Curiosity.

5: Gensokyo, Where the Flowers of Feelings Bloom
Deemo: Eastern Story.

Did anyone else get the impression that this was two related arrangements in one? While there is a piano in the first half, it's just part of the fuller orchestra; then at about 1:36, the piano takes center stage and the rest of the ensemble molds around it. Even if I'm right, the arrangements are similar enough that they simulate a flowing progression (and ya'll know I love musical progression). As a whole, the piece encapsulates the beginning or end of an important journey; it carries a vigorous, accomplished feeling.

My one complaint is the last note, which needed a longer retreat. Relatively minor, but the effect is difficult for me to ignore. I actually went looking for other videos of the piece in hopes that it was an uploader's issue, but the only other video I could find had the same problem.

For that issue alone, 8/10.

6: Concealed Four Seasons
Now it's my turn.

In concept, this idea is ingenious. The artist didn't make the mistake of just riding on that idea, either; a quality effort was made to accomplish the goal. The end result almost works perfectly, and if he makes good on his promise to revisit the idea then I look forward to seeing the results. As it is, here are some strengths and weaknesses.

I found the visuals to be distracting. This is likely a problem with me, and I would not suggest that they shouldn't have been included. Listening to it without the video allowed me to focus on the piece as a whole without trying to determine what themes were being added in. Subsequently, the mashups blend well if you're not thinking too hard about them. The interlude parts are especially well crafted, and the Necrofantasia finale (while perhaps obvious) was probably the best part. My primary concern is the lack of organization; there seems little rhyme or reason to what themes will be playing when, so long as it can be made to fit. There's actually nothing wrong with this, but without this consideration there's a lack of balance and (dare I say it) progression to the piece. I would suggest extending the build to the first mashup, making sure that the foundational melody was balanced to the accompanying motifs. Plan out the flow of the piece, the highs and lows and whatnot, and let the piece finish in imitation of its beginning so as to tie the whole thing together. Initially, I had doubts that this was a piano solo (that initial mashup feature at 0:28 sounded like it was edited on); I think now it likely is, but if it isn't then making it one would definitely help with balancing motifs.

I'm assuming 4:40 and onward is its own remix, so the main piece is a 7/10.

 

[Drunken_Flower]

I thought it was a haegeum, but apparently not. Does anyone know what the difference is, aside from nation of origin?

letsee
first, haegum's bow is separable just like violin, not like erhu which is inside the two strings, it inseparable.
the string itself look thicker and looser for haegum, erhu is thin and looks tight.
the sound itself, haegum is more like... writhing??? or that's how they play it??? it sound really painful

also erhu is a family of huqin alongside zhanghu and gaohu. fyi the "hu" itself is a short for huqin.
Zhonghu (zhongyin erhu) sound lower than erhu. although the name "Zhongyin" means "Middle ranged", idk.. it supposed to sound lower than erhu.
Erhu which we usually know, sound in the middle range, "Er" is just means two, for two string.
Gaohu *cough* GAOOO!!hu is the higher pitched. "Gao" is just means high 

we just call it Erhu cause it the most common and they all sound similar

 

[buskerdog]

I picture Remilia playing in an empty grand hall (maybe with Sakyua listening from doorway), casually exercising the varying techniques she's learned.

OK OK but hear me out:

If Sakuya can stop time

and she can manipulate objects during stopped time

does that mean she's physically able to play impossible piano remixes?

...anyway...

Spoiler

Path Through the Bamboo Forest

This is a very calming remix of Retribution for the Eternal Night, and the traditional instruments used are very pleasant to listen to. This song has a lot of subtle layers to it which I like, and it creates this very delicate, mystical atmosphere. The high point towards the end of the loop (first appears at 2.00) is especially good. I’ll give it a 7/10.

Crimson Belvedere (Orchestral)

You know, I don't think I've heard an arrangement of EoSD's credits theme before. This is incredibly majestic, and the further in I got, the better it became. Starting with the calm opening I wasn't expecting the majestic brass section to come in. But then it did, and I really liked it, and I expected that it would become the focus of the piece. But then it changes again, and I'm pleasantly surprised once more! It really helps push the music forwards, but still maintains this grand mood throughout which I love. Deserving of a 9/10.

Concealed Four Seasons

Now this is an incredibly ambitious project, to make a medley of so many different songs on only a piano, and that definitely impresses me. The first time around I thought some of the transitions felt quite rough, but re-listening I actually like it more than the first time. The real problem is that, although I like the concept, it feels too “snippety”. There are some snippets I really like, but the thing is because it’s split into these snippets, it’s hard to judge as a whole. There is a structure and progression to it, just not the most cohesive one. I think it’s impressive, but there’s a satisfaction I’m not getting from it. 5/10.

 

[jssf1992]

Hmm, some different comments, but on to the next round!

First a vocal arrangement of Now Until the Moment You Die:

 

[Shionne Imeris]

1. i've heard this song several times as well as so much good reviews about it personally tho it's even even for me:
- Male vocal is fine but i'm not really fond to male + english vocals
- Eurobeat goes mostly from bad to mediocre for me this one may be just slightly above later one
- big + for 98's theme tho

7/10


2. Orin theme was one of my favourites some time ago however not every arrangement of it was top notch then this one especially shines for me when 2:13 kicks in i like rigid paradise but this one is something i would rather listen to when doing something (exactly playing) rather than normally

7/10 too i guess


3. yet someone baited me it's going to be vocaloid song because that hatsune (and it's tsumiko's not miko's but i've read it properly a bit too late) but this one is lowest in ranking of songs posted in this round what should i say, it's just not my style, i don't like vocal same goes to pretty much everything else

5/10


as someone probably noticed i usually give grades 7 or lower mostly because when i'm not THAT picky with music it's just some particular genres that i usually don't listen to and it's just hard for me to give higher grades for songs genres i usually don't listen to i just hope no one minds it too much

 

[buskerdog]

Time Will Tell

Yo, Eurobeat? idk who posted this but of course I know it Wait nevermind I read the other reviews I know who posted it. I'm a fan of many of T.Stebbins' Touhou remixes, and this one is no different, he's got a great voice and it works well with his arrangements. Lyrics in this one are kinda edgy but that rarely bothers me, especially when the music's a bop. 8/10.

Corpse Voyage / Rigid Paradise

Well this is... weird. Beginning of this sounds goofy, not in a bad way though, I thought it was rather fun. Then, suddenly rock? Well that escalated quickly. And then menacing French cook vibes? It's all very random, but I'm strangely drawn to it. I still feel it's very mismatched though, but I'm gonna give it 6/10 anyway.

So Bright

You know, I'm quite a fan of Hatsunetsumiko's work, but I don't listen to much of it, so this reminded me I should do more of that lol. Although the instrumentation does sound good, especially the guitar, I find it quite difficult to understand the vocals even though they're in English. This isn't always a problem for me, but here it's bothering me. My other problem is that I can't really tell it's a Touhou arrange until near the end. Doesn't help that I think the main bit is pretty repetitive. These are small criticisms, I like how unique it is and I don't think it's low quality by any means, I'm just not a massive fan of this. 5/10.

 

[Ken Hisuag]

 7: Time Will Tell
Alright. Here we go.

The hard but smooth tones of Eurobeat make it perfect for adrenaline-pumping high energy pieces, and I may not have heard a song that make use of this as powerfully as this one. The pacing is perfect, the source pieces are well suited, and pretty much every aspect contributes to the effect of the whole. This is Reimu as a realistic hero of Gensokyo’s humans, capable and determined to protect that which she considers to be under her care; a person with a complex history and authentic emotional investment. In short, this is Reimu as a character.

This is communicated in the lyrics without explicitly tying the song to Touhou. The artist has carefully crafted the piece to work best in the context of the fandom, but to sound like a standard Eurobeat pop song to someone unfamiliar with the melodies. This is genius, but it also means my estimation of the song will be with that understanding.

Spoiler

The world of Touhou has demons, Japanese demons, concept-based folklore monsters, ghosts, and all manner of other things. It has a spirit world for the dead, a celestial plane for other dead, two separate hells, and many other places. All this is considered in light of the fantasy nature of Touhou: internal consistency is unnecessary, and continuity with reality is not expected. So long as we are in this context, references to such things will be understood as such.

But in an English song crafted such as this one, these concepts are presented without context. The responsibility has been laid upon the listener to understand the kind of world the song is depicted, based on their own understanding of reality. For someone who believes in the existence of Hell, and its active purpose as an eternal prison for demons from which there is no escape, such a song may come across as rather flippant.

This is probably the best Eurobeat song I’ve ever heard, and it deserves at least 8/10 if not higher. But it's not something I'd choose to listen to.

8: June, Hydrangea, Test of Courage
I think I just experienced auditory whiplash.

I've often wondered what Jssf's round line-up strategy is, and what kind of effect it has on the tournament. The intro segment of this arrangement is such a bizarre contrast to the serious epicness of Time Will Tell, so the two sudden transitions within the piece felt strangely cohesive. Unfortunately, subsequent listenings did not impress as much. The instrumentation is fun, but the piece isn't held together by anything. I could rate the first and second halves independently of each other, since there is little continuity between them.

For the experience alone, I enjoyed this entry very much. But I don't think I can give it more than 5/10.

9: So Bright
What defines funk? This song seems to mix elements of disco, rock, and jazz, but I suppose musical genres are loosely defined as a general rule.

Another English piece, but . . . Honestly, I can't understand a word he's saying. I think I understand some of the chorus, but it doesn't make much sense so I'm not sure. This may work in favor of my experience, though! I enjoyed the beat immensely (easily bobbing my head to it), and I could appreciate the relaxed feeling of the music. The vocalist's voice seemed slightly creepy, but it worked well with the instrumentation. Altogether a refreshingly unique experience.

It didn't really appeal to me this time around, but I'll try looking further into the genre later. 6/10.

Edit: @Garison DeCrick Source piece for So Bright was Faraway 380,000-Kilometer Voyage. Doesn't make a bit of difference, but for the record and all that . . .
Also, since you've brought it up, I've been having a much harder time this tournament figuring out who did what. End-of-tournament guessing promises to be very interesting. ?

 

[Drunken_Flower]

1: ngl but im having hard time with this one since eurobeat it not really my stuff,
first of all, the vocal is amazing no complaint about that. 
i just not fond of the instruments. especially the kicks, it sound muffled.
dunno but aint hate nor love this, more like if this managed to play in my shuffle, aint skipping.
7/10

2: holyshit this hella different from previous
what song this about??? June, Hydrangea, Courage Test??
the video description messed up.
0:00, yes this a march indeed, the song title is June though... and everyone ask what's Koishi doin in here. probably has somethin to do with the album name.
(have y'all listen to what i posted in musical discovery? the tennenjemini one

)
0:28 the March ended, i demand moererere >:C
also what's this genre, wild west but with accordion?
1:32 ????????(nice)??????
well yes that was fun, but why?
i probably can use this in some occasion???
8/10
who put this?

3: ohmygod another sharp turn
and it's FUNK YOOOOOOO
i dunno hatsunetsumiko made this kind of arranges, i should listen to them more (  •̀ω•́  )
and i quite like this actually. need more banger in my playlist instead of depressing stuff... orz.
i outta comment
9/10

also i just realized i switched the L R of my headphone while previously fixing it

edit: help! my YT recommendations now filled with eurobeats

 

 

[jssf1992]

Hmm, we got a couple things here I'll have to remember to comment on at the end, but for now, Round Four!

First, METAL.  Kind of.  Reincarnation but Metal:

 

[Drunken_Flower]

1: Oh O-Life Japan, we got this album here btw
as we know, MasamiT does some weird arranges
this one is like TAM and KEIGO but one mind.
i may listen to this one too much, but it's been a while so idk how i feel.
the build up is kinda long, i kinda tired of it
0:40 oh finally there it is, the best part of the song.
kinda hoped it like this for the whole song, dunno how that will turn out but yea.. 
1:24 here comes, i feel like ive heard this somewhere, or maybe it just etched to my mind so bad im having false memories.
the rock kinda overshadowed by the melancholic, it aint feel as intense as it can be.
3:16 the transition is a bit too fast, if only it hold for a bit longer
7.5/10
unrelated but i hate the image, from technical view.

2: Akatsuki records eh? i kinda tired listening to them. at least the rock or pop or sumthin like that.
but this, their ballad are heckin awesome.
the opening percussion threw me off a bit, aint expect that.
ohmygod, the voice. so kalm yet powerful. but.. yea i guess y'all know stack.
the lyrics kinda melancholic tho, ofc it fitting.
i feel chills yet at peace. i cri.
also those two theme are my favorite but.. does that matter? i guess it does.
9/10? too low
10/10?? yes
i want summer back, it's hella cold right now

3: the vocal startled me, aint expect vocal but yea that's my fault not reading the title.
and it overwhelmed by the music.
and im tryin to ignore the dubstep voice samples.
also i dunno but the instruments sound a bit muffled? if only a bit more crisp(?)
2:00 the... what you call it, the sound of like a beep somethin. yea that took too much focus from that part.
or maybe there's no focus at all, they all (instruments) ranged kinda similar.
2:48, yes i like this part. (i blame Camellia)
3:24, the bgm starting to be chaotic, i confus.
3:40 is it me or the beep a bit louder this time? dunno but that feels better.
i guess my problem with this song is the mastering.
it starting out not great, but better later in the song.
7/10

i feel like i know who submitted those songs

 

[Shionne Imeris]

1. Pretty nice piece of work build is a bit long but i don't really mind and i especially like when it kicks in at 1:58 i like metal however i prefer screamo,vocal or plain deathmetal (metalcore also fine by me) it also obviously depends on song a lot, also theme that i really like


gotta gib 8/10


2. Image isn't that bad imo lmao
Since it's Akatsuki i knew it's gonna be stack as well but i if i have to i prefer to listen metal/rock arrangements instead, and with ballads, it's same about stuff like surf or post rock, plenty of orchestral stuff and plenty of low tempo stuff as well, i'm just not really fond to them (prob won't change anytime soon) and i rather listen to something else.
welp, stack voice gives it a very small + from me but still


6/10 (5 without stack)


 

i feel like i know who submitted those songs

Tee-hee~

 

[Drunken_Flower]

2. Image isn't that bad imo lmao

not that one, the first song
the second's image is supreme

 

[Shionne Imeris]

But with this one, there’s that one specific sound that’s like really elastic and stretchy which kind of grates on my ears when hearing them in such short succession with one another. And it’s really only that sound effect, the rest of it is fine for me

Yup that's just psystyle in a nutshell ?

 

[Ken Hisuag]

10: Reincarnation
Imma do a Garison-styleTM play-by-play on this one.

0:00-0:42 - The intro is a beautifully epic built-up, laying a foundation for the piece that promises a complex musical journey, typical of O-Life Japan.
0:42-1:25 - The "second intro," the actual beginning of the piece being built on that foundation. Jssf alluded to metal, so I foresee where this is leading to and can appreciate it as such. If there's a musical term/technique for hype building, this would be a good example. A minute-and-a-half into the track I'm fully engaged and anticipating the climax.
1:25-1:37 - Restraining the guitar to both hold on to and continue the build-up, creating a transition into the main body of the piece. My anticipation is immense.
1:37-1:47 - Sudden dip into piano feels like a stumble backward which prematurely shatters the tension. Seems stylistic, but to make it work the previous section would have needed to be longer and this section shorter; that is, stronger tension over a smaller gap, to simulate being on the edge of the transition. As is, leaves me feeling confused.
1:47-1:58 - Main section feels unsatisfying after the broken build-up. The metal still feels restrained, despite the increased percussion attempting to infuse more energy into the piece.
1:58-2:04 - Sudden transition in piece brings unexpected realization in listener: I've been tricked. Previous section was actually more build-up, and now I have to start the piece over again.

0:00-1:58 - Much better. Now that I'm not expecting the climax to follow after the initial introduction of the metal, the order of events makes more sense. But now half the song is gone, and I'm a bit concerned about whether the artist can make good on all the tension he's created. The 1:47-1:58 section might have too much energy for what it's for.
2:04-3:05 - Excellent! The piece has finally reached its actual primary section, and is proceeding with high energy. Very satisfying.
3:06-3:18ish - Standard drop in energy to simulate the climactic feeling of the finisher. Except . . .
3:18-3:36 - This part confuses me so much. The transition from the previous section is insufficient, and the style clashes with the rest of the piece. If there had been choir elements throughout, then they would have been present in the previous section, allowing for a perfect transition from the symphonic metal into the solo choir to create the interlude. Instead it comes out of nowhere, and even ends on a resolution, as if the piece is over already.
3:36-4:05 - An otherwise perfectly satisfying finish goes underappreciated because I'm still trying to figure out what the choir was for.

Overall, it's a really good arrangement with some powerful potential. But I get the impression the artist wasn't happy with it, and kept making little changes and additions in his attempts to perfect it. I'm left rather confused, and slightly disappointed. 7/10.

11: The Way Home We Walked Together
STACK!

The arrangement is beautiful, but the vocals are definitely the highlight for me. Even if you don't know the lyrics, the voice communicated the intended emotion of the song on its own. Honestly, I can't get over how versatile her voice is; I've not heard a song of this sort from her before, and it's so different from what I normally hear.

If I try to extend this any more, I'm just going to keep talking about Stack, so I'll cut it here. 7/10.

12: World of Fantasy (Remix) [Psystyle]
Why'd I commit to this cold-open bit?

The implementation of Maiden's Capriccio into this style is bizarrely handled here. I've been dipping more into the hard EDM genres of late, getting used to the style and learning to appreciate and enjoy its strengths. This particular arrangement seems undecided on what it wants to be. The vocals and their instrumental compliment seems to be at odds with the hard beat interludes, though I can't tell how much of this is the music versus the vocals. From this track alone, the regular "DON'T STOP THE RAVE!" is both annoying to me personally and distracting from the rest of the song. I'm also having trouble following the song's progression; it feels like the same idea repeated roughly four times with slight variance and different angles of transition.

Ironically, I found the original World of Fantasy to have a bit better structure. Rather then trying to force two differing aspects on top of each other, there's a third transnational style which bridges the gap. I still have questions, such as what the lyrics are, how well they contribute to the song as a whole, and who invited don't-stop-the-rave-guy. But overall, I rather enjoyed it.

So for psystyle remix, it's 5/10. But I'm definitely more open to this style now then I was last tournament, provided there's something for the "organized noise" to be structured around.

 

[buskerdog]

Reincarnation (Violin / Metal?)

The first time I listened to this, I though it had a promising start, but was disappointed with the rest of it and felt it ultimately should have just been a violin remix all the way through. I found that, except for the violin, the instruments sounded quite low quality and transitions between the different styles didn't sound good. However, I also thought "This is probably the kind of chaotic madness that will grow on me after a second time listening".

I was correct.

Perhaps that's to do with no longer having any preconceived expectations of it, but the second time I enjoyed it a lot more. The beginning has quite a delicate sound, especially the part with the piano, and it's contrasted with the growling undertones of the electric guitar which eventually takes up a more powerful role. I really appreciate the progression in this. The part with the trumpet also gives the song an uplifting push towards its finish. I still don't like the random choir bit though. All the energy just suddenly... disappears. My opinion about the instruments needing some better quality remains, but I actually really like this. 7/10.

The Way Home We Walked On Together

That's some really nice percussion at the start... WAIT IS THIS STACK?? Now this is a calmer song than I usually hear from her, but it works great! It has this very airy feel I like to it. I also feel that there's a lot of variety in how she sings and the instrumentation used which makes the song interesting, while still adhering to a consistent theme. It's really well done and is very pleasant to listen to. 9/10. I swear posting anything with Stack is a guaranteed way to get high points in this.

World of Fantasy

You know, I've been wondering where the electronic remixes in this are; it looks like they're finally showing up. The start sounded promising, but I'm really not of a fan of the "breakdowns" in these sorts of remixes. I guess I have appreciate that they're experimental by nature though. This remix is so dividing for me because I pretty much like 50% of it and dislike the other 50%. Unfortunately the bits I don't like really drag it down so think I have to settle on a 4/10.

Akatsuki records eh? i kinda tired listening to them. at least the rock or pop or sumthin like that.
but this, their ballad are heckin awesome.
the opening percussion threw me off a bit, aint expect that.
ohmygod, the voice. so kalm yet powerful. but.. yea i guess y'all know stack.
the lyrics kinda melancholic tho, ofc it fitting.
i feel chills yet at peace. i cri.
also those two theme are my favorite but.. does that matter? i guess it does.
9/10? too low
10/10?? yes
i want summer back, it's hella cold right now

Lol try reading this like a poem. Much poetic. I cri every time.

 

[jssf1992]

Next round!

First, a curious rock mix of The Legend of Tohno:

 

[Drunken_Flower]

mood

1: OH LOUD, i was watching quiet streams when i heard a ding, so... yes.
what's this, folk? also i've read the title beforehand but i don't understand how alt rock works. and a circle i never heard, Nice!
0:00 i love the instruments, idk but it feel really catchy.
0:16 the voice sounds nice, seems powerful.
having hard time recognizing the touhou, but probably because i forgot how legend of tohno sounds..
1:11 background voice? nice. now it feels like... idk.. it just feel better.
1:45 idk why but i love those toms
3:34 now i realize the BG voices starts to take up the main vocal
4:00 oh yeah, that part was indeed really loud compared to few previous seconds
4:25 i personally not really fond of fade out ending, in anything tbh.
and that's it, i have no much complaint in this one.
now y'all gonna think this mine submission... sadness.
8.5/10
i feel ive been too generous this tournament (except few, sorry)

2: ive seen this somewhere before.
0:05 usual stuff, ive put my electro ears beforehand.
0:39 DAMN YOU KOISHI
yes now that's a weird mix.
0:53 now it really starts
aint really fond how they mix the vocals tbh. just like the previous round.
1:07 i do like this instrumental part
1:22 fast transition, at least smooth it out a bit smh
aaand repeats, that's pretty much it for the remaining part
i can't notice differences
oh wait 3:40 it slows down
4:08 ngl but this part is the kind of electro i usually(which rarely) listen
idk but this guy style seems not opening great and just be better at the end.
still no difference from any other electro.
6.5/10

3: Kappa really good at cropping.
a rap, bold move choosing infamous genre, not many likes em tbh (me neither)
0:00 IT'S SHOWTIME (reminds me of Cruel Angel Thesis but faster)
the translator gave up with the rap already
n-not that i listen to tamaonsen but i know it's him.
0:24 oh there's the captions
0:35 eyy the female voice, nice!
0:57 idk what happened to me today but i cant recognize 2hu patterns
i feel it's here but im not sure. Lonely Werewolf is my fav soo this kinda strange.
2:38 me neither
3:45 gets me everytime  
this one not a full rap, so im kinda relieved
this one kinda fun, the slow part 2:28 just feel s l o wyes, i mean considering the pace of other parts, it feel aint fit very well.
8/10

 

[buskerdog]

星霜降る野、夜を邌歩く

This has a very steady feeling to it, the singing kinda makes it feel like a lullaby, but slow rock? It's a very unique sound and it has these really nice, graceful vibes to it, but is also has this rather energetic side to it. The chorus behind the main singing also really adds a lot to it; actually there's loads going on here with instrumentation but it never feels over-crowded in any way. I like this. 7/10.

Little Little Wish

Now when it comes to electronic music I wouldn't say this style is my favourite, but it is the sort of thing I might listen to on occasion, and honestly this is pretty good. Not sure what to say about it other than the part with the piano surprised me, but not in a bad way. Actually, it adds a nice calmer moment to the song so that it's not just high energy all the way through, and the high-energy part really is all the better for it. Oh, I should also mention good vocals. I think it deserves a 7/10.

LWCO

YO IT'S GET IN THE RING, BUT WITH RAP?? And there's something so jazzy to this, too! It's fast, it's frantic, and listening to this was an absolute rollercoaster. There are parts where you see their usual heavy style of rock in this, but it's also got these upbeat and jazzy parts too - but, like, mixed with rock? It's really cool! If I had to make one complaint, it's that the ending is quite weak, but this is still a 9/10 song.

This was a really good round