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Spicy Touhou takes

What are the spiciest takes in regards to Touhou you may have or even believe in? It can be anything about either canon, fanon, the community, ZUN, absolutely anything as long as it is connected to Touhou. Here are some of mine, and they might be quite controversial:

  • I have a severe dislike for the Simpsons/"Sazae-san" time logic applied in Gensokyo. It's been 20 year since EoSD, yet everything looks just as much as it did back then. Things do not change, nobody evolves, and somehow the status quo has to be maintained. Maybe I ended up disliking this kind of story-telling as a result of getting fed up by American sitcoms and animated series like the Simpsons or Family Guy, but in a way, I would greatly appreciate a series that grows up together with its audience. 



  • Gensokyo will always be ruled by small anim girls and lolis, to put it bluntly. Even if we go by the "they are youkai, and they are shapeshifters" interpretation, how does it come we have never seen them change their aspect? If you are a youkai and want yourself to be respected, do you actually believe looking like a 16 year old girl would be the way to do that? Especially when it comes to those who have the pretention to fight for the rule of Gensokyo - none of them looks very old, or at least old enough to count as an adult who is supposed to be a venerable entity hundreds, if not thousands of years old (Kanako, Byakuren, Miko, whoever else was there as a big deal in Symposium of Post-mysticism etc)



  • ZUN has no idea how to draw something that does not look like a loli, and this is clearly not helped by his drawings looking like dolls. Sometimes I doubt he really intended any character to be drawn as an actual woman, even when he had other artists do the work for anything outside the main games. IN a way, I would really have liked to see someone visually grow up, and actually become an adult not just by age, but visually too given for how long some of the series ran. And for that, I believe Akyuu has been a little bit of a wasted opportunity. She does age up in the way that we actually know when she was born, and that she is a regular human, therefore with the chance of being affected by what we commonly call "growing up", yet at her age of 28, she still does not look older than 14. I would be OK with the explanation of her being small in stature, but the rest of her appearances do not really help. And fanart does not do a better job either. Even if we have a very clear age for her, a lot of fanart still likes depicting her the way she looked in the in the Perfect Memento in Strict Sense era (aka the early depictions). Event the latest canon depictions don't make her look like someone in her late 20s either. It's weird to see someone who is almost 30 look like a 14-16 year old girl at best. Yeah, you can blame it on stylization and how much anime style exaggerates features to look as cute as possible, but I just think sometimes the official Touhou art may not do justice when it comes to this kind of problem (also anime/manga art style going closer towards realistic proportions exists). 

Akyuu_evolution_with_ages.png
 

Updated the old chart by adding ages just to show a little bit what I mean...
 

  • Oh, and one more thing. Fans when drawing art of Touhou seem to only know two sizes: flat as a wood plans or mommy proportions (especially in terms of mommy milkers or or just being THICC). Where is the middle ground?



You can add your own takes or answer to the ones already posted by other users. Anyway, what are your own spicy takes on the series?

 
Alright there are a lot of things I want to list, but that will probably take some more time, so I will list some later when I get the time to. A lot of these will probably relate to your takes. @CountVonNumenor

  • History of Gensokyo not being explored as often - Oftentimes Gensokyo itself seems to just exist within the present without much thought to its history. I wished that ZUN gave more thought to this as it seems like he just erased the whole entire history without as much as a reference to the past events. I know that Akyuu seems to chronicle the past, but it seems like a lot of Gensokyo's residents seem to have no recollection of past events, and or never had it come to mind. I wish that he would do either a reboot or a remake given the fact that he seems to want to forget about the PC-98 games.



  • People in General Not liking More Non-canon/Mature(Not Adult) Works - Gensokyo/Touhou is mostly regarded as a PG series aimed at people who enjoy funny comedy hahas and/or Yuri in general. People don't seem to pay attention to any Doujin-related works, such as Osana Reimu or Yakumi Sarai (Zounose), and or games because they only see cannibalism/not cannon material and move on. In general, it appears that there is little emphasis on works that explore Gensokyo in a way that most 18-25-year-olds would be interested in. I mean, literally, there are other works that focus on this age demographic that are extremely successful, and I can see something like this exploring Gensokyo in a more in-depth way. I'd like to see how Marisa goes about making her own stuff and/or exploring the world of Gensokyo in greater depth. Marisa has had a much harsher upbringing, especially given that she chose to live alone from her family due to unknown circumstances and practically made everything herself. Reimu doesn't even have parents for all we know! How did she even become a shrine maiden in the first place? What was her upbringing? How was Gensokyo since before the spell card implementation and how did the so called Vampire incident occur? All of this can be explored in non-canon works which surprisingly seem to not be as prominent.



  • Actual Threats to Gensokyo, The case of OP MC because whole entire game would be NULL- You know how this works: Reimu, Marisa, and some other character(s) go and try to stop an incident, and it always ends up with the heroine(s) winning, even if the opponent is literally a god or somebody that can literally screw around with space and time and everything in between. This kind of winning makes me really doubt the power of these "Youkai," who can just be beaten by the shrine maiden, who can just whack them with a gohei stick that seems to have grown as big as a log since the olden days. "But what about the Hakurei Barrier?" "Wouldn't it break?" What? You think Reimu is the sole person holding it together? She maintains it; she isn't the one who put it there in the first place. Yukari and the other sages are the ones who built the barrier and know how to repair it in the first place. Heck, Yukari even messes around with the barrier when she is bored and knows how to manipulate it to her will to go in and out without trouble.                                                                                                                                                                                                 I have no doubt that Yukari would be the one to teach the Hakurei's how to keep it in tip-top shape in the first place. The only logical reason she is thinking of maintaining the Hakureis is as a form of human power projection and the reduced work load she would have to do. She already has Ran and Chen to do most of her work around Gensokyo. So why not another one that deals with troublemakers and does another part of her work for her in maintaining the Hakurei Barrier? It would be stupid to create a barrier that only one person is able to maintain, fix, and uphold. So I don't see why there isn't an actual ending where an incident occurs and other forces within Gensokyo deal with it in their own way, or where the incident permanently changes something within Gensokyo.
 
I wish that he would do either a reboot or a remake given the fact that he seems to want to forget about the PC-98 games.
ZUN literally said that we, Touhou fans, should consider PC98 games as fan games 

Marisa has had a much harsher upbringing, especially given that she chose to live alone from her family due to unknown circumstances and practically made everything herself. Reimu doesn't even have parents for all we know! How did she even become a shrine maiden in the first place? What was her upbringing? How was Gensokyo since before the spell card implementation and how did the so called Vampire incident occur? All of this can be explored in non-canon works which surprisingly seem to not be as prominent.
About Marisa and her family :

« Marisa's family runs a large second-hand shop in the Human Village, called the "Kirisame Shop". Marisa has broken off relations with her family, and avoids everything related to them. She says to Rinnosuke Morichika that she'll never go back to them, and refuses to entertain the idea. In Perfect Memento in Strict Sense, it's stated that her family is a private matter and the details are unclear. The book also hypothesizes that since the Kirisame Shop doesn't handle things related to magic items, it may be one reason why Marisa left. » (source : Touhou Wiki)

About the Vampire incident :

Thanks to a spell of course

You know how this works: Reimu, Marisa, and some other character(s) go and try to stop an incident, and it always ends up with the heroine(s) winning, even if the opponent is literally a god or somebody that can literally screw around with space and time and everything in between. 
Reimu and Marisa are really powerful, Reimu is able to do a lot of things as long as she keeps her mind pure and Marisa was interested in magic since little, Mima choosed her as her disciple and teach her magic. Btw they are not fighting like we imagine but they are "playing" Danmaku : it’s just about defeating someone with a beautiful pattern.

 
If you are a youkai and want yourself to be respected, do you actually believe looking like a 16 year old girl would be the way to do that?
Well, it clearly seems to be working? Most youkai we see depicted in non-humanoid form happen to be pretty low-ranking ones such as Mamizou's goons or some of the Komakusa patrons. The only notable exceptions are dragons and divine beasts, if I recall correctly (though neither of those are youkai). Maybe there's a bell curve of sorts present?

 
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Well, it clearly seems to be working? Most youkai we see depicted in non-humanoid form happen to be pretty low-ranking ones such as Mamizou's goons or some of the Komakusa patrons. [...] Maybe there's a bell curve of sorts present?
Honestly, I am not sure how it works besides pure anime logic. I mean in terms of the little girls being in charge of an entire realm. Unless they are supposed to be older than they look like, and ZUN just sucks at drawing/giving indications on how the characters should look like when he has someone else do the art (no offense towards the artists who have worked on that content, their art is actually quite good). 

 
Unless they are supposed to be older than they look like, and ZUN just sucks at drawing/giving indications on how the characters should look like when he has someone else do the art (no offense towards the artists who have worked on that content, their art is actually quite good). 
We’ve already talked about how ZUN draw mature characters didn’t we ? x)

Yukari for example is supposed to look like a 20+ years old women, and all he did to make her more mature looking is to put some lipstick on her…

fun fact : Yukari sometimes use a phone to talk with her shikigami, can’t she just create a gap to talk with them instead of depending on her phone ? 

 
Oh, it's been a while since I have last been here. Honestly, I forgot I wrote the thread, and I was very close to "starting" it this afternoon. However, good to see it is already here. 

We’ve already talked about how ZUN draw mature characters didn’t we ? x)
I think we did. We just need a reminder on the conclusion from that discussion. In that case, probably one of the most interesting ZUN comments about age is related to one of his "Miscellaneous drawings" from before EoSD. He said he wanted to draw an adult in one of these images, but said it ended up much younger than he planned. 

ukari for example is supposed to look like a 20+ years old women, and all he did to make her more mature looking is to put some lipstick on her…
I don't think I have noticed the lipstick before. What image/art of hers is that?

 
Oh, it's been a while since I have last been here. Honestly, I forgot I wrote the thread, and I was very close to "starting" it this afternoon. However, good to see it is already here. 
I didn’t went on any social media for two weeks now… I have the combo winter + I’ve caught the flu + exams so I don’t have the time anymore to interact on Moriya Shrine  :TenshiCry:

I don't think I have noticed the lipstick before. What image/art of hers is that?
It’s in PCB look very closely and you’ll see it 

View attachment 3130

 
I didn’t went on any social media for two weeks now… I have the combo winter + I’ve caught the flu + exams so I don’t have the time anymore to interact on Moriya Shrine  :TenshiCry:
Oh, do not worry. Last week was the flu week for me, accompanied by strong coughing. This week however was the one that brought the exams, and that's how I'll for the following couple weeks as well. 

It’s in PCB look very closely and you’ll see it 
Holy shit, I never noticed that. Nice detail! I think I may have only once noticed it in another official work, and that was in Forbidden Scrollery in regards to Reisen:

unknown.png


 
Btw I forgot to say there is something that gets me very frustrated : nobody cares about canon design of Koakuma, Daiyousei or even Okuu (there’s smol atoms around her ankle)
The way the fandom portrays Okuu has always gotten on my nerves. The electron-like things orbiting her right ankle are just one feature people forget. Both of her legs have something going on with them, with the left foot being encased in concrete. These two details are meant to symbolize atomic fission (orbiting electrons) and fusion (concrete foot).

One thing I will add, however, is the frequently missing control rod on her right arm. Normally, a detail like this would kind of bother me, but there are official character art pieces where she does not have it (take the Hisoutensoku sprite from my profile picture, for example), so I can accept this. Plus, it would be annoying to have to constantly keep that in her design.

The thing that I hate the most, however, is the portrayal of her chest size. In all of her official artwork, sprites and anything else, she is more or less flat. Yet, I think I've only seen one fan interpretation ever that has acknowledged and kept that detail, and I've probably seen hundreds, if not more. I don't even remember what that single portrayal was, probably because of all the others burying it in my mind. After looking through the files I have of her, there are surprisingly multiple designs that keep the chest (somewhat) flat. I did find that Alphes, the artist for the first few fighting games, did draw her with a bigger chest, however I don't think this was meant for Hisoutensoku.

 
I did find that Alphes, the artist for the first few fighting games, did draw her with a bigger chest, however I don't think this was meant for Hisoutensoku.
I mean Alphes is already known to have drawn Touhou characters with larger chest than usually depicted in official media. Anyone remembers his version of Yuugi?

Th11PromotionalArt.jpg


And speaking of Yuugi, that also appeared for most of her depiction ever since. Be it in the background sprite from Hopeless Masquerade...

Th135Yuugi&Suika.png


... or even if you want to consider her portrait from Who's Who of Humans & Youkai to count in that category:

Yuugi_Whos_Who.png


Btw I forgot to say there is something that gets me very frustrated : nobody cares about canon design of Koakuma, Daiyousei or even Okuu (there’s smol atoms around her ankle)
What exactly do you mean in the case of "Daiyousei" and "Koakuma"? If you mean people not depicting them as they appeared in the little spites from EoSD, there are still, even if rare, artists who drew them as in those sprites:

01nokra4d7n71.png


__koakuma_touhou_drawn_by_kuya_hey36253625__a8ebd60be7351d1ec8dc158bc385264e.jpg


Thing is "Koakuma" did appear in canon art the way most people depict her, in that tuxedo thing. Her EoSD robes have been a one-time thing, then official art switched to what she is better known for:

SCoOW6Koakuma.png


From Strange Creators of Outer World

Koakuma_in_ch_2_of_Foul_Detective_Satori.png


This is an interesting alternate outfit from Cheating Detective Satori (yes, I prefer this name for the series instead of the current "Foul Detective")

KoakumaIOTMIOTE.jpg


Also Koakuma in the (albeit non-canon) Inaba of the Moon and Inaba of the Earth

 
The way the fandom portrays Okuu has always gotten on my nerves. The electron-like things orbiting her right ankle are just one feature people forget. Both of her legs have something going on with them, with the left foot being encased in concrete. These two details are meant to symbolize atomic fission (orbiting electrons) and fusion (concrete foot).

One thing I will add, however, is the frequently missing control rod on her right arm. Normally, a detail like this would kind of bother me, but there are official character art pieces where she does not have it (take the Hisoutensoku sprite from my profile picture, for example), so I can accept this. Plus, it would be annoying to have to constantly keep that in her design.
I didn't knew that but those details makes her looks more impressive O_O  

What exactly do you mean in the case of "Daiyousei" and "Koakuma"? If you mean people not depicting them as they appeared in the little spites from EoSD, there are still, even if rare, artists who drew them as in those sprites:
I prefer Koakuma as she was in EoSD if you (once again) look closely to her sprite, you can see that her dress is cuter than the one she wear in the majority of fanarts + she have short hair and no wings in the back :3

So a fan did this drawing which really looks like her EoSD sprite

Then we have Daiyousei, if you look (again) closely, you can see a bunch of turquoise pixel around her waist which is a ribbon that nobody have ever noticed... also her hair is shorter than Cirno's ^^

As you may know, Touhou Lost Word ALWAYS takes the official designs when it comes to make the A6 (or A any number) characters so here it is...

(and A6 remilia + meiling cuz why not)


 
As you may know, Touhou Lost Word ALWAYS takes the official designs when it comes to make the A6 (or A any number) characters so here it is...
Yeah, it is actually quite a surprise that LostWord (out of any Touhou media, official or fan-made) has decided to actually go with the canon designs of those two nameless mid-bosses for their units from the EoSD retro universe. 

So a fan did this drawing which really looks like her EoSD sprite
I also posted a fanart based on that sprite in the previous reply. It is a nice design, I will not lie, even if most likely it was not supposed to be anything special when the original game came out back in 2002. The only difference is that in my post I have also added a few more canon depictions of "Koakuma", in other outfits she was dressed in for official sources. It is just that her most recent official art (besides any feature in CDS), the one from Strange Creators of Outer World, has decided to fixate her outfit to the business lady tuxedo one people got so used to due to g=fan culture gathered in almost 20 years between EoSD and first edition of Who's Who of Humans & Youkai. 

 
I've been meaning to add to this for some time, but I didn't have my thoughts sorted at the time. A lot of what's on my mind would probably be nitpicks, but here goes:

  • Inconsistent Info



    I think the Human Village has it the worst in this regard. Are Youkai allowed to roam freely as long as they don't cause trouble? PMiSS suggests it's that way, but in a lot of other Print Works it feels like if a Youkai is even believed to be spotted, the entire village would be in uproar and moral panic ensues. Also, they may be Moon Rabbits, but it is stated both Ringo and Seiren have dango stands they run in the village and depicts them without disguises and everything seems just fine (source: Alternate Facts in Eastern Utopia).




  • Inconsistent Info Pt.2



    Another one I remember is it being stated (I believe in Symposium of Post-mysticism) that beings like Kanako are resistant against possessions from vengeful spirits, however in  Cheating Detective Satori, they claim that they are particularly weak against them. Cheating Detective Satori is kind of a dumpster fire in my opinion, like suggesting Mokou is a Youkai from when Mizuchi proclaims in Ch.16 Page 25: "...A Youkai cannot fight a vengeful spirit" then follows up on the next page: "because inside, you're all the same". It feels like the setting and characters are whatever ZUN needs them to be for the story he wants to tell.


    Then that leads into my next gripe, the fandom excuses. Setting inconsistencies? "Unreliable narrator, of course." Characters acting strange? "Every Print Work is told through the lens of the focal character, so naturally there'd be differences." If everything is supposed to be unreliable, and there is no clear picture of what Gensokyo or its inhabitants are like, why should I care about literally anything? I know ZUN probably forgot a few things over the years, but when the fandom comes up with some profound and artistic reason for it, it comes off as fairly obnoxious to me.







  • The Music isn't as Great as Everyone Says it is



    Probably more like a nuclear take, and I'll say Touhou music as a whole is generally good, but I see people make it out that every song is an amazing masterpiece. To me, there are a lot of forgettable filler tracks, but I know that's just due to my taste ("History of the Moon" and "Nostalgic Blood of the East" are the only IN songs I actually care for, as an example). There are amazing remixes of songs, but I don't count those when forming an opinion towards the original composition. Conversely, a lot of songs I like either get no attention, or lackluster remixes (I actually enjoy a lot of PC-98's compositions despite the painful sound quality). Bonus spicy take: I don't care much for Vocal Remixes or the super high-energy styles or metal, I prefer instrumental music like jazz, traditional, or classical styles.





  • Fanon



    Headcanons are fine and all until they start getting pushed as fact, or just disrespect a character. To this day, the only fangame I've played that treats Meiling as remotely competent and self-respecting is Sengoku Gensokyo. Fanon can be a wonderful tool to expand on a character that get no attention, or piece together a wider narrative from the breadcrumbs left by ZUN, but nope, memes. I don't even hate memes, and I find some kind of funny, but after a while they lose their appeal and end up becoming the entire personality of a character. I know this isn't much of a hot take, but thought I'd add it.


    Also some characters get literally nothing worthwhile. One of my favorite characters, Shou, is either reduced to "forgor Pagoda" or just grouped under the umbrella of "Myouren Temple members don't follow their own teachings" despite being the Avatar of Bishamonten, and disrespecting him would likely result in being smote (also the point of Nazrin is to keep tabs on her). It sucks too because she's a case of a Youkai effectively evolving into something more (she was destined to disappear because the fear of what tigers even were dwindled). Thanks Akyuu, the one time fans don't outright discredit everything you say is to support their dumb headcanons (Referring to her entry on Byakuren under "Countermeasures" in SoPM where the suggestion of being more afraid of her Youkai followers being twisted by fanon to mean every member).







  • Western Content Sort of Sucks



    I'll mention fangames first, and specifically the lack of Western-made ones. There are tons of talented people on this side of the fandom, but I can never seem to find a complete game, or something that's not just a reskin of an existing game, but worse, with Touhou characters plastered over it with terrible writing. This isn't something exclusive to this side of the fandom, but I like to be able to read, and a lot of what I'd want to play isn't translated. I've run across many people who spout "Touhou is the fan content", so I start to expect a bit more out of this fandom compared to others.
  • I've mentioned this elsewhere, but the video content I've watched is really lackluster. Kind of hate the format where someone just reads off the Wiki, or gives a shallow rundown of an event/game they had no personal experience or attachment to. Suwawako's "The Touhoucon Failure" was interesting for the first-hand experience compared to something like "The Touhou Cannonball Failure" where it's just random other people's accounts of what happened (granted there were some rare good bits of info). The last one bugs me more as someone who played Cannonball when it was still alive (used a screen translator app which was a pain, but I got to experience the story at least).





  • The Pronunciation War



    I don't care if it's pronounced "Chiruno", "Churro" , "Chernobyl" or whatever, I see "Cirno" and in my tongue I pronounce it "Sir-no". I see the name "Marisa" (a Western name mind you) and I go "Muh-riss-uh" compared to the fans I hear fake a Japanese accent just to say "Mari-sah" and return to their normal way of speaking. My pronunciation isn't correct, I know, but it irks me when people change accents randomly for one name. Discussions about it often devolve into getting on other people's cases about the right way to say it, which involves lengthy talks about language as a whole, blah blah.





  • Miscellaneous



    Random thoughts I don't feel like going overly in-depth about:


    PC-98 Stage Enemy variety and behavior are more interesting then a majority of Windows. Sure, in Windows they can shoot the pretty patterns, but what happened to enemies that interact with the Stages themselves?
  • MoF's Power-based Bombs (Spirit Attacks, whatever) are handled well, and SA made them crap since there is no "reserve" Power that doesn't affect your damage output.
  • ZUN, please cut back on using the Elementics DrumKit, everything post-HSiFS feels like it uses it, and static-y drums all the time are kind of painful. A lot of great tracks feel worse off because of it.
  • LostWord's combat system is actually pretty interesting with the Barrier system, but it sucks that it's in a gacha game, where every number is cosmically high and nebulous.
  • I hate the crazy inconsistent quality of mainline Touhou's gimmick systems. PCB's was simple and easy to understand, and DDC's encourages use of the Point of Collection. Granted, I do like some of the gimmick ideas in the latest games, so I guess this is more of a frustration towards older titles.
  • I miss when Point Tiles had more value, like collecting a certain number of them just gave you an Extra Life. On that note, why can these games never decide whether or not to always convert Power Tiles into other Tiles when at Full Power? Also don't like constantly moving down in decimal value in terms of Tile worth (0.1 -> 0.05 -> 0.01).
  • The original art style for Cheating Detective Satori was better, because at least there were characters that had alternate outfits. Also not a fan of the wacky over-the-top facial expressions in the current style, some of them look really stupid.
  • Moeblob and Grimsokyo are both equally annoying fanon extremes.




 
Thank you @Eulogous for the contribution, you have really saved this thread. I was starting to lose hope anyone else would contribute with their own take. Unfortunately, I can't write a developed answer tonight, since I finally finished with the exams and made my way back home. But from tomorrow on, I should be back to being just as active as I used to be. Therefore, get ready for kind of a long answer to some of the points you have raised...

 
I've been meaning to add to this for some time, but I didn't have my thoughts sorted at the time. A lot of what's on my mind would probably be nitpicks, but here goes:

  • Inconsistent Info



    I think the Human Village has it the worst in this regard. Are Youkai allowed to roam freely as long as they don't cause trouble? PMiSS suggests it's that way, but in a lot of other Print Works it feels like if a Youkai is even believed to be spotted, the entire village would be in uproar and moral panic ensues. Also, they may be Moon Rabbits, but it is stated both Ringo and Seiren have dango stands they run in the village and depicts them without disguises and everything seems just fine (source: Alternate Facts in Eastern Utopia).




  • Inconsistent Info Pt.2



    Another one I remember is it being stated (I believe in Symposium of Post-mysticism) that beings like Kanako are resistant against possessions from vengeful spirits, however in  Cheating Detective Satori, they claim that they are particularly weak against them. Cheating Detective Satori is kind of a dumpster fire in my opinion, like suggesting Mokou is a Youkai from when Mizuchi proclaims in Ch.16 Page 25: "...A Youkai cannot fight a vengeful spirit" then follows up on the next page: "because inside, you're all the same". It feels like the setting and characters are whatever ZUN needs them to be for the story he wants to tell.


    Then that leads into my next gripe, the fandom excuses. Setting inconsistencies? "Unreliable narrator, of course." Characters acting strange? "Every Print Work is told through the lens of the focal character, so naturally there'd be differences." If everything is supposed to be unreliable, and there is no clear picture of what Gensokyo or its inhabitants are like, why should I care about literally anything? I know ZUN probably forgot a few things over the years, but when the fandom comes up with some profound and artistic reason for it, it comes off as fairly obnoxious to me.







  • The Music isn't as Great as Everyone Says it is



    Probably more like a nuclear take, and I'll say Touhou music as a whole is generally good, but I see people make it out that every song is an amazing masterpiece. To me, there are a lot of forgettable filler tracks, but I know that's just due to my taste ("History of the Moon" and "Nostalgic Blood of the East" are the only IN songs I actually care for, as an example). There are amazing remixes of songs, but I don't count those when forming an opinion towards the original composition. Conversely, a lot of songs I like either get no attention, or lackluster remixes (I actually enjoy a lot of PC-98's compositions despite the painful sound quality). Bonus spicy take: I don't care much for Vocal Remixes or the super high-energy styles or metal, I prefer instrumental music like jazz, traditional, or classical styles.





  • Fanon



    Headcanons are fine and all until they start getting pushed as fact, or just disrespect a character. To this day, the only fangame I've played that treats Meiling as remotely competent and self-respecting is Sengoku Gensokyo. Fanon can be a wonderful tool to expand on a character that get no attention, or piece together a wider narrative from the breadcrumbs left by ZUN, but nope, memes. I don't even hate memes, and I find some kind of funny, but after a while they lose their appeal and end up becoming the entire personality of a character. I know this isn't much of a hot take, but thought I'd add it.


    Also some characters get literally nothing worthwhile. One of my favorite characters, Shou, is either reduced to "forgor Pagoda" or just grouped under the umbrella of "Myouren Temple members don't follow their own teachings" despite being the Avatar of Bishamonten, and disrespecting him would likely result in being smote (also the point of Nazrin is to keep tabs on her). It sucks too because she's a case of a Youkai effectively evolving into something more (she was destined to disappear because the fear of what tigers even were dwindled). Thanks Akyuu, the one time fans don't outright discredit everything you say is to support their dumb headcanons (Referring to her entry on Byakuren under "Countermeasures" in SoPM where the suggestion of being more afraid of her Youkai followers being twisted by fanon to mean every member).







  • Western Content Sort of Sucks



    I'll mention fangames first, and specifically the lack of Western-made ones. There are tons of talented people on this side of the fandom, but I can never seem to find a complete game, or something that's not just a reskin of an existing game, but worse, with Touhou characters plastered over it with terrible writing. This isn't something exclusive to this side of the fandom, but I like to be able to read, and a lot of what I'd want to play isn't translated. I've run across many people who spout "Touhou is the fan content", so I start to expect a bit more out of this fandom compared to others.
  • I've mentioned this elsewhere, but the video content I've watched is really lackluster. Kind of hate the format where someone just reads off the Wiki, or gives a shallow rundown of an event/game they had no personal experience or attachment to. Suwawako's "The Touhoucon Failure" was interesting for the first-hand experience compared to something like "The Touhou Cannonball Failure" where it's just random other people's accounts of what happened (granted there were some rare good bits of info). The last one bugs me more as someone who played Cannonball when it was still alive (used a screen translator app which was a pain, but I got to experience the story at least).





  • The Pronunciation War



    I don't care if it's pronounced "Chiruno", "Churro" , "Chernobyl" or whatever, I see "Cirno" and in my tongue I pronounce it "Sir-no". I see the name "Marisa" (a Western name mind you) and I go "Muh-riss-uh" compared to the fans I hear fake a Japanese accent just to say "Mari-sah" and return to their normal way of speaking. My pronunciation isn't correct, I know, but it irks me when people change accents randomly for one name. Discussions about it often devolve into getting on other people's cases about the right way to say it, which involves lengthy talks about language as a whole, blah blah.





  • Miscellaneous



    Random thoughts I don't feel like going overly in-depth about:


    PC-98 Stage Enemy variety and behavior are more interesting then a majority of Windows. Sure, in Windows they can shoot the pretty patterns, but what happened to enemies that interact with the Stages themselves?
  • MoF's Power-based Bombs (Spirit Attacks, whatever) are handled well, and SA made them crap since there is no "reserve" Power that doesn't affect your damage output.
  • ZUN, please cut back on using the Elementics DrumKit, everything post-HSiFS feels like it uses it, and static-y drums all the time are kind of painful. A lot of great tracks feel worse off because of it.
  • LostWord's combat system is actually pretty interesting with the Barrier system, but it sucks that it's in a gacha game, where every number is cosmically high and nebulous.
  • I hate the crazy inconsistent quality of mainline Touhou's gimmick systems. PCB's was simple and easy to understand, and DDC's encourages use of the Point of Collection. Granted, I do like some of the gimmick ideas in the latest games, so I guess this is more of a frustration towards older titles.
  • I miss when Point Tiles had more value, like collecting a certain number of them just gave you an Extra Life. On that note, why can these games never decide whether or not to always convert Power Tiles into other Tiles when at Full Power? Also don't like constantly moving down in decimal value in terms of Tile worth (0.1 -> 0.05 -> 0.01).
  • The original art style for Cheating Detective Satori was better, because at least there were characters that had alternate outfits. Also not a fan of the wacky over-the-top facial expressions in the current style, some of them look really stupid.
  • Moeblob and Grimsokyo are both equally annoying fanon extremes.
Interesting takes, there are some I absolutely agree with and others I really don't (particularly the one about music haha), but I suppose I shouldn't be surprised to see that in a thread about hot takes. I think the most notable one I want to give my point of view on is the one about pronunciation. I personally care about pronouncing names the right way (partly because I am learning Japanese) and have actively changed the way I pronounce some names since I first found the series if I learn later that I haven't been pronouncing them right, but I don't mind other people pronouncing the same syllables with a different accent that sounds more natural to them. I also understand that although I don't get too irked by changing the way I pronounce a character's name, other people probably get attached to whatever their first impression was. However, I hate it when people pronounce a character's name with the wrong syllables entirely. "Sir-no" is criminal to me...

I see the name "Marisa" (a Western name mind you) and I go "Muh-riss-uh" compared to the fans I hear fake a Japanese accent just to say "Mari-sah" and return to their normal way of speaking.
As I said above I have absolutely no problem with anyone saying Marisa's name like this, but reading this did just make me feel the obligation to point that although it is intended to sound western, Marisa's name is written with kanji. Not an obscure fact I know, but I feel like I have to say it.

When I first saw this thread I was struggling to think what hot takes I have, since, well, I'd say most of my criticisms aren't hot takes, but now I've realised I absolutely do have a hot take, and I think it's a particularly spicy one too. I wish Touhou characters were depicted as more Asian. Sure the main material has that anime-inspired look to it, and I'm fine with that, it's probably best for the core franchise. But considering how much fan content Touhou has? I'm tired to see nearly everything look like generic anime, and everything that isn't in anime art style still use white skin for all the characters anyway. It makes sense why these anime-like styles crop up everywhere, seeing as it's what the official material does, but again, considering that it's an Asian series set in Asia with characters who are Asian all about Asian mythology - why do I never see Touhou characters that look Asian? I think not only would it be an interesting direction to explore and a novel way to see these characters who have looked like whitewashed dolls since forever, I also think that if you wanted to tell a more serious story with the Touhou project setting, it would make that depiction of the universe feel that much more grounded. And even if you didn't want to do that - I still think it would make things feel more genuine.

 
As I said above I have absolutely no problem with anyone saying Marisa's name like this, but reading this did just make me feel the obligation to point that although it is intended to sound western, Marisa's name is written with kanji. Not an obscure fact I know, but I feel like I have to say it.
I'll preface this by saying I'm an Asian with a Western name, so this sort of thing really just personally bugs me and probably only me in that regard. I've met people that try to pronounce my name the way it'd be said if they natively spoke Tagalog, and it always annoyed me. I tolerate it when my family says it that way, because I know that is how they'd pronounce it in their country. When someone twists their accent to say my name wrong, even if they are trying to respect my culture or whatever, it comes off as them trying to pander towards me or something.

This is very much a "me" thing, I know, and I already admitted to knowingly pronounce Marisa's name incorrectly. I'll correctly pronounce a character's name in the presence of a Japanese person, out of respect and for complete clarity of who I'm talking about, but I feel adding an accent on top is a bit overkill.

I'm tired to see nearly everything look like generic anime, and everything that isn't in anime art style still use white skin for all the characters anyway. It makes sense why these anime-like styles crop up everywhere, seeing as it's what the official material does, but again, considering that it's an Asian series set in Asia with characters who are Asian all about Asian mythology - why do I never see Touhou characters that look Asian?
...What?

I sort of understand what you're getting at, but some of this doesn't sound worded that well.

 
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