On Man-eating: Does it "Fit" in Touhou?

Spongelash

Touhou Traveler
TL;DR In the Touhou setting youkai are supposed to be dangerous but work is constantly done to make them seem not so serious and encounters with them more fun and whimsical such that they can be seen as lovable cute girls and not murderous predators. I find man-eating at odds with this constant effort such that even when an attempt is made to make it more comedic I don't enjoy it in the setting. Do you find any tone inconsistencies with the idea of man-eating in Touhou, and would you have handled it any differently if it was your setting?



I want to preface this by saying that this is a factor that is largely ignorable within Touhou, so don't take my following writing as some giant critique against the entire setting, but rather a small elaborate critique of an element I think could be better done.

The world of Touhou is one that interests me greatly, because as I get deeper in the original material (especially the written material) I find that there is actually a lot of depth to it and the characters within it that doesn't get touched on by the larger fanbase. Now, the fact that (some) Youkai (might sometimes) eat humans isn't exactly one of these deeper facts; Rumia, the first real enemy of the Windows games, kind of spells it out to us, and it has been reiterated many times since. This may cause some to balk at the question I proposed in the title, but I want to make the point that man-eating especially in an explicit sense is actually rarely mentioned in Touhou which makes the few times that it is described in more detail feel uncomfortable and incongruent.

I'll get onto man-eating but first I want to establish a concept: in his work ZUN constantly wants to establish an illusion of danger around youkai while constantly working to make sure that they aren't viewed as too outwardly evil. I think this is important to acknowledge as it will form a big part of why I think man-eating is a strange part of Touhou. The setting needs some conflict that makes it natural for characters to fight on a whim, but ZUN wants the danmaku battles to feel more like the girls are playing with each other and everyone takes it light-heartedly. In supplementary media like Curiosities of Lotus Asia ZUN spells it out that Youkai attacks on humans are rarer in this era and other written media like Bohemian Archive take previously dangerous characters and pull them back like Mystia and her using her abilities for the success of her famous food cart rather than killing and eating humans. I think that as you engage with more and more Touhou content you can see that the tone is written deliberately to make it feel less serious and dangerous and the world is written to make things less dangerous than they might seem at face value. All of this in service of the fact that for the most part the girls are supposed to be in some way likable and to be able to interact with each other in friendly ways and that's hard to buy as a viewer if they are so murderous towards each other by nature.

(Not to imply that there aren't supposed to be obvious serious dangers presented in the Touhou setting. Though most of the time they are presented in a fairy-tale-esque "you went where you weren't supposed to" "you ignored common advice" sort of way.)

And for the most part, I think that ZUN manages the balance between inherent danger and light-hearted fun well. Man-eating is in a weird place in Touhou because it is easy to forget about it. As the games went on we got more and more Youkai introduced who either were either friendly to humans or didn't care for humans such that thinking of them by default as predators to humanity became less and less typical. EoSD was full of man-eaters (though notably still making up maybe only half of encounters), but the games that came afterwards, speaking of PCB, IN, and PFV introduce many youkai with their own specific goals and purposes that either help people or ignore them. MoF includes a concept of danger but plenty of helpful youkai that warn against that danger, and SA is full of youkai who have been cut off from mankind. Like I said above, even Youkai who are more explicitly man-eaters are sometimes taken and put into less aggressive situations with mankind.

I don't want to portray the idea that I think the intention is for all stories and relations in Touhou to be sunshine and rainbows. Youkai are dangerous and that is an obvious part of the story, like with the incidents. But I do want to make the point that in the face of what I wrote earlier man-eating in particular (in such a bestial way) is so much more horrific than the other antics that youkai get up to that it really stands out in a negative way in my opinion. A good portion (not all, I'll get to it) of the active man-eating youkai are the young and dumb ones that seem to seek after it as basically instinct. This is actually a world-building consideration as it is described that as youkai grow older and wiser they get connected to specific places and it seems they set their interests higher than things as basic as man-eating. Now, this combination can actually serve as another example of ZUN trying to pull things back a bit lighter with certain characters; it isn't a rare joke to remark on the fact that some little girl like Rumia is this cannibal killer, and I think that ZUN also uses the incompetence and inability of these low-level youkai as a way to get you to take what they do less seriously. Like "Rumia might want to eat people, but she is so bad at it that it's more funny to watch her try than to take her seriously." Even then, though, the real images that this produces is that these kind of youkai consume the weak, and in my opinion man-eating might just be so horrifying that even with these comedic counterweights it in itself runs counter to what is being attempted with the rest of Touhou's tone.

And now I want to cover the real sticking point that will momentarily sour my feelings when I encounter it. It's the scarlet devil herself, Remilia. Now Remilia is I think correctly portrayed as a bit darker and oppositional by both the fandom and the games than other characters, which I think is the correct read, but just like others she still joins in on friendly funny parties with Reimu and is still joked around with and it still allowed a giant mansion to remain in. My issue with Remilia is that sometimes her man-eating is made really explicit and she doesn't have the same comedic counter-weights that most other man-eaters have. Now, I actually think ZUN did Remilia right at first. In her original description in EoSD it's described that she is a light-eater and the humans she feeds off are usually left alive. This way you can view her as a bit darker and maybe occasionally a murderer but she isn't some mass murder who survives exclusively off of human death. But recently while reading Perfect Memento in Strict Sense, it's made out that she is actually fed by folks gathered from the outside world whose deaths otherwise wouldn't be looked into. And when we take a character and make out that there is just a constantly-running death count it harms their normal involvement in the Touhou story for me.

With most lower-level youkai you can at least reason that they are bad at getting humans, they have been getting humans less recently, and eventually with time they will probably move on from something so trivial. But with Remilia she is powerful, has the ability to think a little bit, but is constantly being fed people to their implied deaths and probably will be forever, because I doubt this would become a plot point. You can tell me if I'm wrong, I haven't gone further in the content than PMiSS yet.

But really, I'm just using Remilia as an example here. My real conclusion is that whenever we focus explicitly on man-eating in Touhou, I get a bad feeling about it and don't enjoy how it fits in with the bigger tone of Touhou. Remilia's PMiSS description is just one instance of this, but I feel it in varying senses even when it comes to Rumia or Mystia. It describes such a difference in nature between humans and youkai, but my problem is that in the actual games and stories humans and youkai are hanging out all the time in a way I find inconsistent with the idea that one is constantly preying on the other.

I'm really curious what you folks think. Is man-eating an element that you enjoy as part of Touhou? Do you feel like it ever sits strangely with the tone presented in Touhou media and the characters that we are shown? Do you think it fits, but should be done differently? It's really the only pain-point in Touhou for me (and honestly seems pretty easy to write-out), but I'm really curious to see how others land on this idea.
 
Imo it doesn't really fit in the Touhou theme
Although according to Gensokyo Fudoki, youkai do have hunting teams that go hunt humans in the nightView attachment 15781
This is something else I find weird about man-eating. This lore in particular suggests that they go outside of Gensokyo and beyond the barrier to do this, which fits some of what PMiSS suggests about the scarlet devils. But why is it an element of the story that youkai so often prey on people outside the barrier? Was it simply a decision made on logistics, with ZUN assuming that there must not be many humans in Gensokyo to support this kind of behavior? Or is it used as an excuse to show why human and youkai relations aren't way worse within Gensokyo? Is it simply an excuse to not have to show man-eating in Touhou media, because so much of it happens away from where the action is behind closed doors?

But we still do know that youkai are a threat to Gensokyo humans because of the very same PMiSS.

I just don't understand the purpose of having such grim lore drops randomly in single paragraphs here and there when Touhou stories in general barely engage with this idea in any serious way. It's my opinion that more is lost than gained by including this because Touhou doesn't really engage with any of the ideas that this presents beyond the general human-youkai aversion (which could have been justified through less grim means) and it makes any sort of friendship between humans and youkai ridiculous or selfish.

It's such a serious topic for a setting that the way that Touhou only plays footsies with the idea is disappointing to me such that we may as well not have it as an element.
 
For me, I personally see it as where there do exist some youkai whom eat humans (such as Rumia) but that most don't do it anymore. Though, I see it more as a recent thing, probably decided informally amongst the youkai sometime in the past century (after the creation of the Barrier, of course).
The youkai still prey on humans, but that they "eat" their fear rather than eat humans themselves.
Though, I would think that many youkai probably don't do that really anymore either, and only do it occasion.
I mean, another thing I also personally see is that the Barrier might be so strong now that most youkai can simply live in Gensokyo without having to scare or even really meet humans.
 
For me, I personally see it as where there do exist some youkai whom eat humans (such as Rumia) but that most don't do it anymore. Though, I see it more as a recent thing, probably decided informally amongst the youkai sometime in the past century (after the creation of the Barrier, of course).
The youkai still prey on humans, but that they "eat" their fear rather than eat humans themselves.
Though, I would think that many youkai probably don't do that really anymore either, and only do it occasion.
I mean, another thing I also personally see is that the Barrier might be so strong now that most youkai can simply live in Gensokyo without having to scare or even really meet humans.
What do you think of the implication that man-eating is more common among Youkai than might be portrayed? Sometimes ZUN writes things such that you could almost believe your interpretation is true, and than other times he hints that things are much more bloodthirsty. Do you view things in your way because those more bloodthirsty interpretations bother you within this setting?

Myself, Touhou lore is scattered and just unspecific enough that I wouldn't find it hard to believe that many of us have a unique vision of Gensokyo in our own minds. Credit to ZUN for creating such an imaginative setting, but it is fun to build things around a unified idea, and personally I just think that man-eating hasn't really aged with the rest of Touhou as ZUN chooses to portray it.

And to clarify, I'm not against dark settings and stories. I just don't think that Touhou really utilizes any of its dark elements and more often creates stories that the dark elements work against. That's why it is so easy to marginalize it like in your own interpretation, and why fan works that choose to emphasize it can feel so jarring.
 
A lot of Touhou Project's characters and themes are rooting in traditional Japanese mythology, so the idea of certain youkai feeding on humans is really just a carry-over from that. Nothing more or less, just ZUN having a ZUN moment and not building on things mentioned.
 
A lot of Touhou Project's characters and themes are rooting in traditional Japanese mythology, so the idea of certain youkai feeding on humans is really just a carry-over from that. Nothing more or less, just ZUN having a ZUN moment and not building on things mentioned.
Understood. Looking at it as an independent element of the story, though, do you find that it generally adds or takes away from the stories that are usually told in the Touhou setting? Or do you view that connection to the tradition enough to overcome any challenges that it imposes on the story?

A lot changes from the traditional to the Touhou interpretation. What I posit is that this would be something to have left behind if we weren't going to actually treat them like monsters, which Touhou often refrains from doing.
 
What do you think of the implication that man-eating is more common among Youkai than might be portrayed? Sometimes ZUN writes things such that you could almost believe your interpretation is true, and than other times he hints that things are much more bloodthirsty. Do you view things in your way because those more bloodthirsty interpretations bother you within this setting?

Myself, Touhou lore is scattered and just unspecific enough that I wouldn't find it hard to believe that many of us have a unique vision of Gensokyo in our own minds. Credit to ZUN for creating such an imaginative setting, but it is fun to build things around a unified idea, and personally I just think that man-eating hasn't really aged with the rest of Touhou as ZUN chooses to portray it.

And to clarify, I'm not against dark settings and stories. I just don't think that Touhou really utilizes any of its dark elements and more often creates stories that the dark elements work against. That's why it is so easy to marginalize it like in your own interpretation, and why fan works that choose to emphasize it can feel so jarring.
I mean, for me I am of the same idea as you. I'm generally not against dark setting and interpretations, though in regards to Touhou, I do tend to prefer the light-hearted version.
I like some Touhou stories which depict Gensokyo in a darker light, but I personally feel Touhou works best in how the games portray things and with certain Touhou works (such as Sangetsusei and Lotus Eaters) having a certain slice-of-life paradise-like feel to it all.
I generally also feel uncomfortable with Touhou works which seek to make the youkai be destroyed, a big reason already being because I prefer the genuine dream-like "paradise" feel to Gensokyo staying intact, and that of course involves keeping the magic and the youkai in existence within Gensokyo.
In summary, I think Touhou works best as how it is most often depicted. A genuine paradise which has darker pieces in it's background, but that nonetheless doesn't make Gensokyo any less of an actual paradise.
 
ZUN is just not a good writer, let's be honest. With that in mind I still don't see a single issue with it. Gensokyo is supposed to be dangerous (and certainly not a paradise), what's why it exists in the first place. But it's certainly either retconned or not mentioned often for whatever reason (see the first sentence).
 
ZUN is just not a good writer, let's be honest. With that in mind I still don't see a single issue with it. Gensokyo is supposed to be dangerous (and certainly not a paradise), what's why it exists in the first place. But it's certainly either retconned or not mentioned often for whatever reason (see the first sentence).
I disagree that ZUN is a "bad writer". To me, much of ZUN's works show that he is a great writer (and I say this as an aspiring writer myself who has written stories since I was young), but that he just isn't very good at keeping things "consistent" (which I don't see as a bad thing either way, as if you've written a story, you know it can be pretty hard to remember all of the details) and he isn't always the best in writing dialogue either (something I also struggle with personally).
In any case, some of the Touhou games' stories, such as in the case of PCB, IN, PoFV, LoLK, and HSiFS show that he is a pretty good writer, even if parts of those games' stories can also still be flawed.
But eh, I always seem to hold the minority opinion, so I'm probably going to be flooded with disagreements.
 
This is something else I find weird about man-eating. This lore in particular suggests that they go outside of Gensokyo and beyond the barrier to do this, which fits some of what PMiSS suggests about the scarlet devils. But why is it an element of the story that youkai so often prey on people outside the barrier? Was it simply a decision made on logistics, with ZUN assuming that there must not be many humans in Gensokyo to support this kind of behavior? Or is it used as an excuse to show why human and youkai relations aren't way worse within Gensokyo? Is it simply an excuse to not have to show man-eating in Touhou media, because so much of it happens away from where the action is behind closed doors?
It only talks about youkai hunting humans inside gensokyo, in fact it also says youkai strenghtened the barrier to avoid human invasion, therefore youkai aren't really able to leave gensokyo, and if, it wouldn't be really smart of them to do so since youkai going to outside world could get them killed, the text mentions that humans are the ones that were able to defeat youkai and seal them in gensokyo, so what it suggests must be that youkai go hunting humans at night in gensokyo
 
What do you think of the implication that man-eating is more common among Youkai than might be portrayed? Sometimes ZUN writes things such that you could almost believe your interpretation is true, and than other times he hints that things are much more bloodthirsty. Do you view things in your way because those more bloodthirsty interpretations bother you within this setting?

Myself, Touhou lore is scattered and just unspecific enough that I wouldn't find it hard to believe that many of us have a unique vision of Gensokyo in our own minds. Credit to ZUN for creating such an imaginative setting, but it is fun to build things around a unified idea, and personally I just think that man-eating hasn't really aged with the rest of Touhou as ZUN chooses to portray it.

And to clarify, I'm not against dark settings and stories. I just don't think that Touhou really utilizes any of its dark elements and more often creates stories that the dark elements work against. That's why it is so easy to marginalize it like in your own interpretation, and why fan works that choose to emphasize it can feel so jarring.
I wouldn't think myself that scary human eaters would fit with cute and silly anime girls
 
ZUN is just not a good writer, let's be honest. With that in mind I still don't see a single issue with it. Gensokyo is supposed to be dangerous (and certainly not a paradise), what's why it exists in the first place. But it's certainly either retconned or not mentioned often for whatever reason (see the first sentence).
I'd say Gensokyo was supposed to be a place to hold youkai off from humans, that's what Gensokyo Fudoki suggests, it also mentions Gensokyo was a paradise-like place
Also, if youkai are so dangerous man-eaters, they could just sneak on reimu or any human at human village at night to kill and eat them
 
I disagree that ZUN is a "bad writer". To me, much of ZUN's works show that he is a great writer (and I say this as an aspiring writer myself who has written stories since I was young), but that he just isn't very good at keeping things "consistent" (which I don't see as a bad thing either way, as if you've written a story, you know it can be pretty hard to remember all of the details) and he isn't always the best in writing dialogue either (something I also struggle with personally).
In any case, some of the Touhou games' stories, such as in the case of PCB, IN, PoFV, LoLK, and HSiFS show that he is a pretty good writer, even if parts of those games' stories can also still be flawed.
But eh, I always seem to hold the minority opinion, so I'm probably going to be flooded with disagreements.
I'd agree with you, if Zun is a bad writer then so is Scott Cawthon since FNAF is the most vague serie ever
I'd also say that Zun made an impressive work doing all the games be good in lore and other things besides artwork in early games after PC98 (which was a great downgrade in art), considering Zun only started making Touhou because he really enjoyed making music and wanted to do something about the music he was making (from what i've heard), especially since i think everything in all of the Touhou games (excluding spin-offs and new classic) he was doing all alone, prolly even mostly non-conciously without remembering anything the next day
 
I thought some more about this and came up with a good way to explain my problem using another series where I think the setting and story fit together well. The following contains minimal spoilers.

In Attack on Titan, humanity is trapped within cities within walls by an encroaching race of titans which look to eat them. The narrative naturally follows along with this idea as we follow characters that seek to learn about this enemy and find a way that humanity can escape from their yoke.

In Touhou, there exists a semi-secret ancient race of monsters which quietly consume humans from one world and keep a village entrapped by fear in another. This is just accepted as the way of things and never challenged in any meaningful way.

See, to me this part of Touhou is if like AoT had the titans but was about some random guy's thrilling business venture inside the walls or something. It sets up an obvious narrative line but then drops it and doesn't engage with it which is unsatisfying to me.

Same with the Remilia thing. In any normal story setting up an ancient vampire that made a pact with monsters in which they sacrifice a human being every so often would be the set-up to their destruction by some hero. But because in Gensokyo the setting can't change and characters can't die or be removed from the story this plot point just sits there unengaged with.

I hope this better explains why I think that these plotlines are disappointing when used in Touhou.



ZUN is just not a good writer, let's be honest. With that in mind I still don't see a single issue with it. Gensokyo is supposed to be dangerous (and certainly not a paradise), what's why it exists in the first place. But it's certainly either retconned or not mentioned often for whatever reason (see the first sentence).
I think that ZUN is serviceable when writing simple character back-and-forths in his games, but I do agree that when it comes to his higher level world building he seems to make decisions lazily without really considering what effect they have on his stories. I think that many other aspects of Gensokyo are quite inspired and I think his concept writing especially when it comes to character concepts is quite brilliant, but I do think the fact that he extends himself to places that seem to escape him is a weakness.

I agree with your last clause, the problem with the concept isn't the concept itself, but rather that it is never engaged with in a serious way which makes it seem strangely grim and serious compared to the normal stories we get in Gensokyo.



It only talks about youkai hunting humans inside gensokyo, in fact it also says youkai strenghtened the barrier to avoid human invasion, therefore youkai aren't really able to leave gensokyo, and if, it wouldn't be really smart of them to do so since youkai going to outside world could get them killed, the text mentions that humans are the ones that were able to defeat youkai and seal them in gensokyo, so what it suggests must be that youkai go hunting humans at night in gensokyo
I disagree. The previous clause of that story is about how youkai could easily open the barrier but don't because they prefer it. Starting the clause you referenced with "nonetheless" implies something in contradiction with the earlier point, that being they don't open the barrier but still go beyond it. It even concludes with "[a] simple missing person would barely even make the news since there were too many people in the human world." The human world obviously means the outside world because Gensokyo in that same text is explained to be a place of "many youkai and a few humans" so it can't be Gensokyo they were mentioning.

I would agree with you that this piece of lore about youkai regularly leaving Gensokyo seems to have fallen aside, but it lives on even in more recent lore. PMiSS for example suggests that Remilia isn't allowed to eat people from Gensokyo and instead the youkai go to the outside world and grabbed depressed people to give to them. Not every youkai may be able to do it but obviously some can and do.

I'd agree with you, if Zun is a bad writer then so is Scott Cawthon since FNAF is the most vague serie ever

I don't think that referencing Scott Cawthon in defense of ZUN is that good, lol. Scott Cawthon is definitely good at creating eerie atmospheres, but whenever his stories step outside of the simplest forms they become a mess. Your right to say that Scott Cawthon's world building is messier than ZUN's, though.



In any case, some of the Touhou games' stories, such as in the case of PCB, IN, PoFV, LoLK, and HSiFS show that he is a pretty good writer, even if parts of those games' stories can also still be flawed.

I think that ZUN writes the games and character interactions just fine. At the very least his concepts are very good seeing how many others have picked them up for their own stories. As I've said above, he just grabs big concepts and then puts them aside in ways that are unsatisfying. His world building is messy.
 
I'd say Gensokyo was supposed to be a place to hold youkai off from humans, that's what Gensokyo Fudoki suggests, it also mentions Gensokyo was a paradise-like place
Also, if youkai are so dangerous man-eaters, they could just sneak on reimu or any human at human village at night to kill and eat them
1. Youkai need humans' beliefs to live, and since humanity stopped believing in the supernatural, Gensokyo was created so they can coexist with a bunch of humans, and keeping both parties alive is the whole point of Gensokyo
2. They are forbidden from killing villagers, and their primary food are outsiders
I think that ZUN is serviceable when writing simple character back-and-forths in his games, but I do agree that when it comes to his higher level world building he seems to make decisions lazily without really considering what effect they have on his stories. I think that many other aspects of Gensokyo are quite inspired and I think his concept writing especially when it comes to character concepts is quite brilliant, but I do think the fact that he extends himself to places that seem to escape him is a weakness.

I agree with your last clause, the problem with the concept isn't the concept itself, but rather that it is never engaged with in a serious way which makes it seem strangely grim and serious compared to the normal stories we get in Gensokyo.
Yeah, that's what I thought. What y'all have to keep in mind is that he's writing a story for a video game, a game that's gameplay-first and not story-driven. It's entertaining, has interesting ideas sometimes, but at the end of the day stories are not his biggest concern. ZUN is infamously inconsistent, and is quick to abandon his ideas. Weirdly enough, I think his character interactions are the best part, it's good comedy.
And this post really made me ponder what is and is not considered good writing. The trashy manga I read the other day was a good read, but can't compare to Blood Meridian. Does it make it bad in any way?
 
2. They are forbidden from killing villagers, and their primary food are outsiders

What piece of lore is this from? PMiSS makes it clear that Remilia cannot, but the very same text makes it clear that there is the danger of death when encountering youkai. I believe you, because I've heard this before, I'm just not caught up to the modern lore yet so I don't know where this is from.

To clarify, I do understand that the writing implies that they mostly go outside for man-eating, but I don't know where the blanket ban comes from.



And this post really made me ponder what is and is not considered good writing. The trashy manga I read the other day was a good read, but can't compare to Blood Meridian. Does it make it bad in any way?
This is a question that commonly comes up with these kinds of conversations, and I'll do my best to answer it because I think it is a fair one and it might help people understand better what exactly I'm saying.

The first thing to establish is that whatever "good" or "bad" means when speaking holistically about the quality of something is separate from how much you enjoy or don't enjoy something. A claim that something you like is of bad quality isn't a claim that you must not have liked it, nor is a claim of good quality a claim that you were wrong to not like something. I just think this is something that is important to establish because people often misunderstand what the goal of discussing art quality is. The goal isn't to prove that people were wrong about how they feel about something.

So if that is what judgement of quality isn't, what is it? "Good" and "bad" are unspecific general words so it should be understood that they will have unspecific general meanings. What most people mean when they use these words relating to writing quality is "if we created a scale of everything ever written based on common consensus of the amount of effort and unique meaningful thought that went into it and how well it abides by writing standards most people value, how high does this piece of writing rate on the scale?" And so you can see that when we discuss things at this high level, their is still enough subjectivity and wriggle room implied so that we can have a discussion, but it is more objective than simply sharing how we feel about a piece of writing because it appeals to the relation between one work to all works and a set of standards on which most people agree are good to consider.

So speaking about "trashy manga," for example. When people use the word "trashy," they usually mean the work is derivative of a common pattern, predictable, and written quickly. The reason we might call this "bad" quality writing compared to something like Blood Meridian is because it is easier for anyone to write (and as such demonstrates less skill), introduces few new ideas (because we value novelty and see uniqueness as a challenge), and requires less thought on the part of the reader to engage with (to some extent we value complexity).

But these same reasons might be why someone enjoys those kinds of stories; they want something easy to read that they are familiar with and know will be enjoyable to them. Blood Meridian trounces these in quality because it uses language in such a unique and complex ways and has messages that make us seriously consider the state of mankind, but for those same reasons it is very possible to really enjoy trashy novels and to despise Blood Meridian.

I hope that helps explain what the difference is between what a person might enjoy reading and what critics imply when they use words like "good" and "bad" in relation to writing. Again, these words are general; the serious consideration should be given towards what a critic brings up to support the idea rather than the word itself. It will always be up to you to see how much you care or feel about the points in general (though regardless we should be able to come to agreement if the points identify something true or not).



In relation towards how I feel about this aspect of Touhou, the reason that I would call it "bad" writing is because I see what ZUN is trying to accomplish in his stories by his interviews and the stories themselves (danmaku battles aren't too serious and should be seen as play between young girls, the threat of each story is something large and cartoonish rather than gritty and serious, the girls can get together and have a party and be friends afterwards) and the idea that a good part of the cast are man-eaters seeking out people to kill as part of their nature gets in the way of each of these points because it is hard to feel this light-hearted about those sorts of characters or take stories they are involved in so unseriously (which is why ZUN never actually explores what man-eating means for these characters, but leaves it for small offscreen references).

I'd also criticize it for presenting interesting ideas that should be explored in general but are not. If you introduce something like this, the question that is begged is how humans that fraternize with youkai would feel about this, or how the spirit of humanity as a whole reacts to this, but these questions are left to be answered by assumptions and not explored at all.

So you see, these are things that me and anyone else should be able to agree on. We don't have to agree that you need to care about these points, or that you need to feel this or that way about them, but we should at least be able to agree that these things are true in a way that people typically wouldn't include in their ideal story. An opinion on how I like man-eating in any story would be personal to me, but my arguments that Touhou doesn't do man-eating well are more external to me.



Yeah, that's what I thought. What y'all have to keep in mind is that he's writing a story for a video game, a game that's gameplay-first and not story-driven. It's entertaining, has interesting ideas sometimes, but at the end of the day stories are not his biggest concern. ZUN is infamously inconsistent, and is quick to abandon his ideas. Weirdly enough, I think his character interactions are the best part, it's good comedy.

And you are correct that an element like the story or worldbuilding has different values to the whole work in different scenarios and a heavy critique on one might not amount to a heavy critique on the work as a whole. I agree that the character writing is fun and that the gameplay is good and that the concepts for the visual design is well-thought out and that this kind of worldbuilding amounts to chance mentions in this text file or this paragraph in this written work.

This doesn't mean that the critique of that element is worthless or pointless. Thought went into adding man-eating as an element of Touhou and continuing to write lore for it, so it is only respectful that we put thought into how we think that element fits.

But you are wise to bring forth that full works are a composite of many different elements and the weakness of one element might not amount to much when weighed against the full product.
 
I feel like some youkai do hunt or eat humans, but it feels more like flavor in the world building of Gensokyo rather than ZUN wanting to make genuinely intimidating or scary characters

Not that there isn't any, but whenever I hear "man eating" it's probably Rumia or Mystia (I'm way more preferential to the Mystia that does the Izayaka and does metal concerts usually, but not like she's against doing it, she just moreso mellowed out in Gensokyian society) but otherwise, I never got the vibes of that with Remilia or Flandre for example (they'd rather toy around in my eyes)

Tho this is moreso my perspective, I would assume ZUN doesn't always stick to all of his ideas and that's completely fine, thought I don't particularly mind more of the grimdarkness as long as we keep to the core of Touhou
 
What piece of lore is this from? PMiSS makes it clear that Remilia cannot, but the very same text makes it clear that there is the danger of death when encountering youkai. I believe you, because I've heard this before, I'm just not caught up to the modern lore yet so I don't know where this is from.

To clarify, I do understand that the writing implies that they mostly go outside for man-eating, but I don't know where the blanket ban comes from.
I'm gonna be honest dude, I'm not sure where this comes from either and heard this in a youtube video. But to clarify, by "outsiders" I meant people from outside world who spawned in. And if I remembered correctly, villagers are only protected when they are within the village, but not outside of it.
I hope that helps explain what the difference is between what a person might enjoy reading and what critics imply when they use words like "good" and "bad" in relation to writing. Again, these words are general; the serious consideration should be given towards what a critic brings up to support the idea rather than the word itself. It will always be up to you to see how much you care or feel about the points in general (though regardless we should be able to come to agreement if the points identify something true or not).
Looking back, I should've used Lucky Star as an example. It's one of the best in it's subgenre, and yet as a story, it doesn't have any narrative depth, thought-provoking messages, or anything else that snobs like. The trashy manga I mentioned wasn't really outstanding even in it's niche.
 
Back
Top